| Volume 1 Issue 1 |
The Nightmare of the Unknowable, or, Poe's Inscrutability
Robert Tally
"Did I Scare You?": The Curious Case of Michael Jackson as Gothic Narrative
Dennis Yeo Kah Sin
Gothic Revelations of Marriage in The Witch of Ravensworth and The Horrors of Oakendale Abbey
Monica Miller
"How I Progress the Gothic Tale: Super Paper Mario and the Sublime
T. S. Teofilo
Robert Tally
"Did I Scare You?": The Curious Case of Michael Jackson as Gothic Narrative
Dennis Yeo Kah Sin
Gothic Revelations of Marriage in The Witch of Ravensworth and The Horrors of Oakendale Abbey
Monica Miller
"How I Progress the Gothic Tale: Super Paper Mario and the Sublime
T. S. Teofilo
| Volume 1 Issue 2 |
Optical Witcheries: Specters of Hawthorne's Magic Lantern
Anna Milione
The Ghost of Communism Past; The Birth of Post-Communist Gothic Fiction?
Raluca Oproiu
Raising Veils and Other Bold Acts; The Heroine's Agency in Female Gothic Fiction
Kyra Kramer
Motivation and Perversion in Matthew Lewis' The Monk
Jan M. Stahl
Anna Milione
The Ghost of Communism Past; The Birth of Post-Communist Gothic Fiction?
Raluca Oproiu
Raising Veils and Other Bold Acts; The Heroine's Agency in Female Gothic Fiction
Kyra Kramer
Motivation and Perversion in Matthew Lewis' The Monk
Jan M. Stahl
| Volume 2 Issue 1 |
The Real Eleanor Sleath
Rebecca Czlapinski and Eric C. Wheeler
"The Dead Do Not Remember and Nothingness Is Not a Curse”: Necrophilia and the Transvaluation of Memory in the Literature of the American South
Linnie Blake
Supporting and Subverting: Conventional and Challenging Masculinities in M. E. Braddon’s Lady Audley’s Secret
Daniel Lewis
The Orphan in the Abbey: Eleanor Sleath’s Influence on Jane Austen’s Composition of Northanger Abbey
Tenille Nowak
Somebody’s Trying to Kill Me and I Think It’s a She: The Feminization of Fear in Bronte’s Jane Eyre and Holt’s Mistress of Mellyn
Brooke Willig
Rebecca Czlapinski and Eric C. Wheeler
"The Dead Do Not Remember and Nothingness Is Not a Curse”: Necrophilia and the Transvaluation of Memory in the Literature of the American South
Linnie Blake
Supporting and Subverting: Conventional and Challenging Masculinities in M. E. Braddon’s Lady Audley’s Secret
Daniel Lewis
The Orphan in the Abbey: Eleanor Sleath’s Influence on Jane Austen’s Composition of Northanger Abbey
Tenille Nowak
Somebody’s Trying to Kill Me and I Think It’s a She: The Feminization of Fear in Bronte’s Jane Eyre and Holt’s Mistress of Mellyn
Brooke Willig
| Volume 2 Issue 2 |
Isabella Kelly’s Twist on the Standard Radcliffean Romance
Tenille Nowak
Rendering the Vampire’s Reflection: Documents as Images in Stoker’s Dracula
Andrew Grace
Home is Where the Horror Is
William D. Prystauk
The Splitting of Mind and Matter as in a Dream: Poe’s “Ligeia”
Crystal C. Coombes
A Descent into a Masculine, Allegorical Space: Gender in Edgar Allan Poe’s No-Tell Tales
Estella Gutierrez-Zamano
Tenille Nowak
Rendering the Vampire’s Reflection: Documents as Images in Stoker’s Dracula
Andrew Grace
Home is Where the Horror Is
William D. Prystauk
The Splitting of Mind and Matter as in a Dream: Poe’s “Ligeia”
Crystal C. Coombes
A Descent into a Masculine, Allegorical Space: Gender in Edgar Allan Poe’s No-Tell Tales
Estella Gutierrez-Zamano
| Conference Preceedings |
“You, the Victim of Yourself”: The Unspeakable Story and the Fragmented Body
Laura Kremmel
From Picket Fences to Personal Computers: Paranormal Activity and the Suburban Gothic
Tyler Roeger
Rhetorical Appearances of Alfonso the Good in The Castle of Otranto
Meghan Self
Delimiting the Unspeakable: Gothic Preoccupations in Joseph O Connor’s Star of the Sea
Maria Beville
A Goth Dressed in White: How Emily Dickinson Found Safety and Identity in the Shadows
Jeaneen K. Kish
The Impenetrable Veil: The Human and the Sublime in the Works of Arthur Machen
Laura Tykowski
Propriety, Property, and Passion: The Emergence of the Undisciplined Woman from The Mysteries of Udolpho to Zofloya
Jessica Rich
A Reexamination of the Feminine in The Monk
Christina Nation
Laura Kremmel
From Picket Fences to Personal Computers: Paranormal Activity and the Suburban Gothic
Tyler Roeger
Rhetorical Appearances of Alfonso the Good in The Castle of Otranto
Meghan Self
Delimiting the Unspeakable: Gothic Preoccupations in Joseph O Connor’s Star of the Sea
Maria Beville
A Goth Dressed in White: How Emily Dickinson Found Safety and Identity in the Shadows
Jeaneen K. Kish
The Impenetrable Veil: The Human and the Sublime in the Works of Arthur Machen
Laura Tykowski
Propriety, Property, and Passion: The Emergence of the Undisciplined Woman from The Mysteries of Udolpho to Zofloya
Jessica Rich
A Reexamination of the Feminine in The Monk
Christina Nation
| Volume 3 Issue 1 |
Introduction
Jeffrey Kahan (Guest Editor)
The Unwitting Cannibals: Why Contemporary Audiences Consider Sweeney Todd the Less Demonic Barber of Fleet Street
Jeaneen Kish
From “Angel of Music” to “that Monster”: Music for the Human Uncanny in Phantom of the Opera (1925/1929)
Kendra Preston Leonard
Inks That Go Bump In the Night: Gothic Visual Narratives in American Golden Age Animation
Vanessa A. Velez
Jeffrey Kahan (Guest Editor)
The Unwitting Cannibals: Why Contemporary Audiences Consider Sweeney Todd the Less Demonic Barber of Fleet Street
Jeaneen Kish
From “Angel of Music” to “that Monster”: Music for the Human Uncanny in Phantom of the Opera (1925/1929)
Kendra Preston Leonard
Inks That Go Bump In the Night: Gothic Visual Narratives in American Golden Age Animation
Vanessa A. Velez
| Volume 3 Issue 2 |
Introduction: Exploring Gothic and/in Latin America
Enrique Ajuria Ibarra (Guest Editor)
Semillas de Maldad: Early Latin American Gothic
Gabriel Eljaiek-Rodríguez
Tropical Gothic: Cinematic Dislocations of the Caribbean Imaginary in South West Colombia
Juana Suárez
Filmic Spaces in Contemporary Latin American Horror Cinema
Jonathan Risner
Moving Beyond the Fukú: Exploring Intersections between the Folkloric and the Feminine in Junot Díaz's The Brief Wondrous Life of Oscar Wao
Jennifer Donahue
The Myth of La Llorona in the Film Mama
Zoila Clark
Enrique Ajuria Ibarra (Guest Editor)
Semillas de Maldad: Early Latin American Gothic
Gabriel Eljaiek-Rodríguez
Tropical Gothic: Cinematic Dislocations of the Caribbean Imaginary in South West Colombia
Juana Suárez
Filmic Spaces in Contemporary Latin American Horror Cinema
Jonathan Risner
Moving Beyond the Fukú: Exploring Intersections between the Folkloric and the Feminine in Junot Díaz's The Brief Wondrous Life of Oscar Wao
Jennifer Donahue
The Myth of La Llorona in the Film Mama
Zoila Clark
| Volume 4 Issues 1-2 |
Articles
The Strokes of Brush and Blade: How Basil Hallward Executed Dorian Gray in the Style of Naturalism
Cameron Dodworth
“Christ, What a Dead Little Place”: Compulsive Consumption in Stephen King’s ‘Salem’s Lot
Gillian Bauer
Defeat is Good for Art: The Metamodern Impulse in Gothic Metafiction
Daniel Southward
From Hell House to Homecoming: Modern Haunted-House Fictions as Allegories of Personality Growth
Evert Jan van Leeuwen
The Origins of Turkish Gothic: The Adaptations of Stoker’s Dracula in Turkish Literature and Film
Tugce Bicakci
Delving into the Psychic Depths: Manfred’s Unconscious in The Castle of Otranto’s Gothic/Religious Narrative
Bratislav Milošević
Etched in the Stone: A Semantic Tour of Castle Gormenghast’s Onomastic Construction
James Butler
Book Reviews
The Gothic Novel and the Stage: Romantic Appropriations. Francesca Saggini (2015)
Sarah A. Winter
The Strokes of Brush and Blade: How Basil Hallward Executed Dorian Gray in the Style of Naturalism
Cameron Dodworth
“Christ, What a Dead Little Place”: Compulsive Consumption in Stephen King’s ‘Salem’s Lot
Gillian Bauer
Defeat is Good for Art: The Metamodern Impulse in Gothic Metafiction
Daniel Southward
From Hell House to Homecoming: Modern Haunted-House Fictions as Allegories of Personality Growth
Evert Jan van Leeuwen
The Origins of Turkish Gothic: The Adaptations of Stoker’s Dracula in Turkish Literature and Film
Tugce Bicakci
Delving into the Psychic Depths: Manfred’s Unconscious in The Castle of Otranto’s Gothic/Religious Narrative
Bratislav Milošević
Etched in the Stone: A Semantic Tour of Castle Gormenghast’s Onomastic Construction
James Butler
Book Reviews
The Gothic Novel and the Stage: Romantic Appropriations. Francesca Saggini (2015)
Sarah A. Winter
| Volume 5 Issue 1 |
Articles
‘Not fit to be mentioned’: Eighteenth-Century Sodomy and Francis Lathom’s The Midnight Bell
Christine Mangan
Legal Fictions: Gothic and the Spectre of the Law in Charles Brockden Brown’s Edgar Huntly; or Memoirs of a Sleep-Walker
Justin D. Edwards
Varney the Vampire: Genre-making and Self-making in Gothic Fiction
Jennifer Camden
The Act of Witness: Outlast and Videoludic Body Gothic
Jonathan Newell
Book Reviews
Digital Horror: Haunted Technologies, Network Panic, and the Found Footage Phenomenon. Edited by Linnie Blake and Xavier Aldana Reyes.
Erika Rothberg
Style and Form in the Hollywood Slasher Film. Edited by Wickam Clayton.
Sarah R. Young
Under the Bed, Creeping: Psychoanalyzing the Gothic in Children’s Literature. By Michael Howarth.
Jaquelin Elliott
Monsters and Monstrosity from the Fin de Siècle to the Millennium. Edited by Sharla Hutchison and Rebecca A. Brown.
Jeanette A. Laredo
‘Not fit to be mentioned’: Eighteenth-Century Sodomy and Francis Lathom’s The Midnight Bell
Christine Mangan
Legal Fictions: Gothic and the Spectre of the Law in Charles Brockden Brown’s Edgar Huntly; or Memoirs of a Sleep-Walker
Justin D. Edwards
Varney the Vampire: Genre-making and Self-making in Gothic Fiction
Jennifer Camden
The Act of Witness: Outlast and Videoludic Body Gothic
Jonathan Newell
Book Reviews
Digital Horror: Haunted Technologies, Network Panic, and the Found Footage Phenomenon. Edited by Linnie Blake and Xavier Aldana Reyes.
Erika Rothberg
Style and Form in the Hollywood Slasher Film. Edited by Wickam Clayton.
Sarah R. Young
Under the Bed, Creeping: Psychoanalyzing the Gothic in Children’s Literature. By Michael Howarth.
Jaquelin Elliott
Monsters and Monstrosity from the Fin de Siècle to the Millennium. Edited by Sharla Hutchison and Rebecca A. Brown.
Jeanette A. Laredo
